Kermit the Blog

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Location: Minneapolis, Minnesota, United States

Conservatism: Not just a good idea, it's the (Natural) Law.

Monday, May 19, 2008

Separated at Birth: Andrew Adamson and Matthew Ward



Taking the lead from my friend Brad, I noticed this similarity last Friday at our Prince Caspian premiere party:

Andrew Adamson: Director of film adaptations of two books in the Chronicles of Narnia series, The Lion, the Witch, and the Wardrobe, and Prince Caspian.

Matthew Ward: Member of the Christian band The 2nd Chapter of Acts (1973-1988) who coincidentally recorded a musical adaptation of The Lion, the Witch, and the Wardrobe titled The Roar of Love in 1978.

I coincidentally own copies of Adamson's and Ward's adaptations.

I might have noted the similarity between Adamson and fellow Kiwi director Peter Jackson of the Lord of the Rings film triolgy, but it doesn't go much beyond their illustrating the apparent shortage of competent barbers in New Zealand.

Friday, May 16, 2008

For Narnia and for Aslan!




Narniaphiles, grab your tickets! The second book (not the fourth, as chronological revisionists claim) in the Narnia series hits the big screen today. The first Prince Caspian reviews I read claim the movie has too many battles and not enough Reepicheep. Some reviewers obviously never read the books, but those who did say this movie deviates from the book more than the first movie did. I know changes are often needed when adapting a story for film, so I'll forgive a certain amount of flexibility as long as the characters themselves are faithfully represented. We just finished watching the extended edition of The Lion, the Witch, and the Wardrobe last night. I've been listening to the Caspian soundtrack this week and we've pulled out our copious library of Chronicles memorabilia for a Narnia-nerd party tonight after the movie. I'm good to go.

I'll post my own review next week.

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Thursday, May 15, 2008

Psyched for "Caspian"

I confess Prince Caspian was my least favorite of The Chronicles of Narnia when I first read them in junior high. I couldn't accept the setting of the story. The Narnia of The Lion, the Witch, and the Wardrobe was gone, Cair Paravel in ruins, and the entire Narnian landscape changed, physically, politically, and spiritually. I also just thought the book took a long time to build any momentum because the protagonist, Prince Caspian, spent the first two-thirds of the story in hiding.

It wasn't really until I read commentaries by Chuck Colson and Gene Veith that I caught on and came to appreciate C.S. Lewis' purpose for depicting Narnia this way. Prince Caspian takes place more than a thousand years after the events of the first book, after Aslan's sacrificial death, after the "Golden Age of Narnia" when the four Pevensie children reigned as kings and queens. In Caspian's Narnia, the old stories are mostly forgotten legends, and the old beliefs are regarded as ignorant or at best quaint. In short, Caspian's world is our world. Caspian believes in Aslan, much to the chagrin and anger of his uncle Miraz, who ridicules and suppresses the ancient faith of Narnia.

What a fascinating illustration of modernism. I obviously did not have the insight to see it when I was 14, but I still didn't get it as an adult. I like constancy and security - I didn't like the shock of finding Narnia in ruins. But time inevitably moves on, and faith in Aslan, like faith in Christ, survives despite the turnover of governments and the decay of majestic old buildings. Like a reactionary mourning the past, I thought Narnia was dead. But Prince Caspian is all about a living faith that survives persecution through the ages, a faith that restores and sustains the world.

The return of the Pevensie children to Narnia makes me think of what it would be like if one of Christ's apostles, or St. Paul, stepped into our world and saw what had happened to Christianity since their time. And to those living in "modern" Narnia, what would it do for their faith to find artifacts of the ancient times and then to meet the heroes out of their own history!

If the heroes of the Christian faith came into our world, how would Christians and non-Christians today respond? What turmoils and revivals would they start? Would Paul speak to Congress the way he spoke to the men of Athens in Acts 17?

I don't expect the movie that opens tomorrow to pose these questions, or to explore to any depth the themes in C.S. Lewis' original story. I expect an exciting, entertaining movie with noble characters and a a good overall message. But understanding now the deeper meaning of the story, I will watch with different eyes than those that couldn't read between the lines years ago.

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Wednesday, May 14, 2008

The Tao of Narnia

Today's Breakpoint makes me want to reread The Abolition of Man as much as Prince Caspian. It will be interesting to see how well Lewis' jabs at subjective morality come through in the movie this weekend.

“We make men without chests and expect of them virtue . . . We laugh at honour and are shocked to find traitors in our midst.”


On this same topic, Lewis said, "We remove the organ and demand the function." That's the metaphor I remember most from that book. We strip moral education from schools and still demand morality from our kids.

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Thursday, May 08, 2008

Did I Write This?

We had to make some space in our storage room last weekend, so I rummaged through stacks of old college notes I had saved, pitching most of them, but I stopped to reread some papers I wrote for some rhetoric classes. Having been employed as a technical writer for 11 years now, I assumed my college writing would look immature by comparison, but I was surprised at how much better it seemed than what I write now.

My favorite paper from the pile was a critique of cartoonist Bill Watterson's treatment of television in his strip Calvin & Hobbes. (Yes, it does sound like a topic I'd choose.) The paper contained several strips (a copyright violation I won't repeat here, as much as I want to), with commentaries on the themes presented in each. My introduction read:

Cartoonist Bill Watterson, in his popular and now retired strip "Calvin & Hobbes," made few overt statements about technology as a whole, but took frequent opportunities to bash television for its detrimental effects on children. In the sensationalist mind of the boy Calvin, television is not merely a means of entertainment, but a living thing. To Watterson, it is an instrument of willful indoctrination whose most profound fruits are passivity, mediocrity, and hyperactivity.

The setting of "Calvin & Hobbes" is the world of a child's imagination, so it's not surprising that the cartoonist would depict television as hostile toward creativity. After all, why should a child squander afternoons and Saturday mornings watching mass-produced, poorly-conceived cartoons when he could be playing, living out more original adventures fabricated spontaneously out of his own imagination. This appears to be Watterson's platform and one of the most consistent messages conveyed in the strip.


I know, the tone of academic writing is almost always dry. Dave Barry once commented on finding highlighted sentences in old college textbooks like, "Structuralized functionalism represents both a continuation of, and a departure from, functionalized structuralism," and remembering a time when you had whole portions of your brain dedicated to things like this.

But I thought my old Calvin & Hobbes paper was pretty interesting, especially since I wrote it before I had children, and the things then I said about television and imagination I still agree with. (Incidentally, we limit not only our son's exposure to TV, but to Calvin & Hobbes. He's just a little too Calvinlike at present.)

But the thing that really struck me was that I think my writing has gotten worse since leaving college, and writing itself is more of a struggle now than it was then. When I was in college, I wrote papers every week. And those papers really weren't bad because I was writing every day and was in the habit.

It may be that technical writing itself is just not much of a creative outlet (ya think?) and it's strongly governed by conventions and things like the implications of choosing the wrong preposition. I've learned to agonize over every sentence, revising endlessly. I try to say as much as possible in as few words as possible, but in getting hung up over this, I begin to fear writing. I also spend about 30 hours researching for every 1 hour of writing. I consider it a good day if I wrote three clear paragraphs, and in this business, that can be better than three pages of unfocused brain dump.

Nevertheless, I've picked up some bad habits and I clearly need to do a little more regular brain dumping somewhere, just to get exercise. So I'm going to try to post more often. I don't expect anyone to read my posts, or even to read what I'm writing now. It doesn't matter. I could journal privately, but that won't help me improve as much as writing in public view. If only for my own sake, I'm going to try to post something every week. If anyone notices, hooray. Maybe in time it will get more interesting than my old college papers.

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Children of the Corn Shortage

A revealing look at cost of biofuels.

"Look at it this way: It takes 510 pounds of corn to make 13 gallons of ethanol—that amount could 'feed a child in Zambia or Mexico for a year,' while it fuels your car only for a week! "


And another point in Maverick McCain's favor:

"What is maddening about this is that the biofuel effort is fueled by politicians handing out massive subsidies to the farm belt and pandering to glassy-eyed environmentalists. Every presidential hopeful who participated in the Iowa caucuses had to sing the praises of ethanol. That is why John McCain stayed away, because he opposes the subsidies."